He doesn't know how he got into Alain's apartment. Together they search for an explanation, but find none. When Alain's wife Catherine finds the two of them in their awkward situation, a highly unpleasant suspicion immediately arises - the well-ordered living conditions are deeply shaken. A wild, devilish game begins. Alain has to prove to his wife that he is a womanizer who doesn't like men.

The way he tries to do this, however, cannot be surpassed in absurdity. And Catherine is not so easy to convince - after all, she has seen what she has seen... The bourgeois façade has suffered a huge crack. And so pent-up marital frustration is unleashed - nothing seems to be salvageable. Or does it? But first it takes a grotesque, fast-paced chase of lies, entanglements and entanglements...

A fast-paced comedy full of wordplay and situation comedy. Behind the fast-moving events lie profound questions: How can it be that a rather insignificant event can shake the entire bourgeois edifice like an earthquake? What is the real reason for all the commotion, and why is everyone in extreme tension just because two men were naked? Does bourgeois happiness and marriage really depend on it? The author poses this fascinating question.

And moreover: is the suspicion of male love such a scandal? Does it really shake up law firms and marriages? How are these people shaped? Do they actually know themselves, their desires, their dreams and wishes?